Katalog-Präsentation und Ausstellung 7. März 2018, 19:00 VBKÖ – Vereinigung bildender Künstlerinnen Österreichs, Maysedergasse 2, 1010 Wien
„Beim aggressiven Betteln angetroffen“ – Der Frankfurter Förderverein Roma ärgert sich über handschriftliche Einträge des Ordnungsamtes in Reisepässen.
via Dokumentiert: „Streit über Eintrag in Reisepässen“ (Frankfurter Rundschau vom 20.2.2018)
Maria Alina Asavei
First Published November 19, 2017 Research Article
Both academic and popular culture discourses are inhabited by statements that “pathologize” the ways Roma remember the Holocaust and other traumatic events. Against these claims, this article’s main aim is to explore contemporary artistic production from Austria which fosters “Roma will to memory” within an assemblage of political practices and discourses.
To this end, I will explore Marika Schmiedt’s body of artistic memory work from 1999 to 2015, relying on a critical visual approach. The impetus for this exploration is Slawomir Kapralski’s assertion that the actual cases of active remembering and commemoration among Roma and Sinti would render the traditional approach to Roma as “people without memory and history” inaccurate. As this case study shows, there is no such a thing as “Roma indifference to recollection,” but rather, the testimony about the traumatic past is silenced or obstructed by the lack of the infrastructure, the bureaucracy of the archives, and the strategic forgetting politics.
„Balog claimed that many Hungarian families living in bordering countries such as Slovakia do not send their children to Hungarian schools because “many gypsy children go there”. He added that “neither Hungarian communities nor the Hungarian government have decided whether Hungarian-speaking gypsies living outside Hungary’s borders are a burden or an asset.”
Balog also raised the question of whether an integrated school system is really the best thing for Hungary, and whether separate schools should be founded for Roma children with their own educational programs.“